Deep Impact: NASA and Performance Art

Impact

On July 4th, NASA is going to bash a large plug of copper into a comet (discovered in 1867 by Ernst Temple). Nobody’s sure exactly what will happen — which is the main reason to do it — but it should make a sizable crater in the comet and generate a plume of ejecta.

NASA seems to like to schedule landings and other such events to coincide with holidays (July 4, December 24, etc.). Not only are people at home and watching TV, but NASA’s copywriters often try to manage some sort of tie-in. The resulting headllines can be agonizing.

In 2000, the Near Earth Asteroid Rendezvous (NEAR) spacecraft arrived at an asteroid (basically, a large rock) named Eros. A 1999 encounter had failed, and the spacecraft had to take more than a year to swing around again, so I believe the February 14th date of the encounter was a coincidence. But it generated endless headlines about Romancing the Stone in a Valentine’s Day NEAR-Eros tryst, etc., etc. I shudder to imagine the headlines this year’s unprovoked Independence Day attack on Comet Temple might generate in the USA or abroad.

In part, NASA designs its missions as public performace art and then tries to spin the missions to appeal to headline writers — but the agency is simply an inept storyteller. NASA’s unmanned robotic missions are incredibly cheap, completely safe, visually and conceptually dazzling to the public, and hugely productive scientifically — especially when compared to the wasteful and dangerous manned space program. Nothing NASA has done in the last 30 years has inspired more interest and support than missions like Voyager, Viking, the Mars rovers, or the Hubble Space Telescope. The credit for these successes goes not to the cleverness of the PR department or the cuddliness of the astronaut corps, but to the skill and creativity of NASA engineers and scientists. Just go with what you do best.

Steve Robinson: Astronaut Banjoist


Banjo Player and Mission Specialist, Steve Robinson

Believe it or not, the next Shuttle mission will send a banjo player into space. I mean, how monochordum mundi is that?

I wonder if he’ll play us Well May the World Go (When I’m Far Away) from the launch pad. Anyway, check out NASA’s official pre-flight interview with Steve Robinson:

I still want to be a musician and an artist someday when I grow up. I play music and I play guitar in a rock and roll band, and I play banjo and mandolin and bass and a pedal steel guitar.

Remember, in space no one can hear you scream "Yowza!"

The Vatican Observatory

Vatican observatory
Father George V. Coyne, S.J.
Director of the Vatican Observatory

Pope John Paul II died a few hours ago. One of his first actions after becoming Pope in 1978 was to appoint a commission to study the matter of Galileo, with an eye toward formally setting the record straight regarding the Church’s attitude toward his condemnation 350 years before. In Vatican jargon, John Paul wanted to move toward Galileo’s “rehabillitation.” In 1984, the commission presented its findings and acknowledged that the Church had been in error when it put Galileo under house arrest for the rest of his life.

The “pardon,” as it was popularly called, was taken as high symbolism by the public, but from a point of view within the Vatican, I doubt it was much of a stretch.

John Paul II said, without much fanfare, that the Bible holds no specific scientific information and discusses natural phenomena for metaphorical purposes only. He was alright with Darwin. Long before John Paul II, the Vatican had never been as backward about to astronomy as people imagine. A Vatican observatory was built in the 1500s to help with calendar reform, and was formally established as The Vatican Observatory in 1891. Since then, it’s been among the most advanced astonomical institutions in the world. It’s staffed by a bunch of Jesuits, naturally.

World’s Largest Banjo?

Biggest banjo
I know what you’ve been thinking: “When is he gunna tell me about the world’s biggest banjo?”

Well, unreliable sources claim that an object in Branson, Missouri is the World’s Largest Banjo, but I doubt it’s a real banjo. To qualify as a true banjo, you need vibrating strings and you need these vibrations to be transmitted to a membrane via a bridge for the purpose of amplification. A website describing Branson’s disturbing monstrosity makes me suspect that what they have there is a mere sculpture of a banjo:

Largest banjo
“The neck holding five fiber optic strings is 47-feet long. A true replica of a collectible Gibson banjo, the huge fiberglass shell has a sturdy frame of over 3,000 pounds of steel.”

Perhaps Gibson’s factory in the Opry Mills Mall in Nashville (top) holds the record instead. The search continues … By the way, see Cecilia Conway’s book for an extensive analytical treatment of the features that constitute the essence of a banjo.